Doctor Who 4×06

doctor-who-4x06

Doctor Who 4×06: The Doctor’s Daughter

I liked this episode a lot, but I’m not sure I have much to say about it, probably because it didn’t really explore a lot of new territory. New Who really likes to revisit the same themes again and again from slightly different angles. I don’t mind; it gives them more opportunity to explore the nuances and contradictions of the issues they address.

I continue to love the Doctor’s anti-violence attitude, which I talked a lot about last week. I like that you see even more clearly here that’s it’s a reaction to his experience in the Time War. He’s not talking out of his ass; he knows war sucks because he’s been there. And he knows that hurting others eats you inside because it happened to him.

I like the anti-war theme, and the idea that a lot of conflict is due to the distortion of history through myth. It was a nice twist that the war had only been going on for seven days. (I assume that this episode’s tie to the seasonal arc is the recurring theme of mythology, and the Doctor creating mythology. Well, that and more mentions of the Time War.)

The aspect I liked most in this episode was the emphasis on choice. Jenny was born to be a soldier, but she learned from the Doctor and decided for herself not to kill. Nurture over nature. Yay free will! (And the Doctor demonstrating it? Pointing a gun at the man who murdered his daughter, and choosing not to shoot? OMG. I adore seeing the Doctor’s dark side. And I love that, in the end, he’s better than it.)

I liked that we got to see some actual acting from Freema Agyeman. Martha was totally superfluous to this episode (okay, she shed some light on the Hath; I fail to see why this requires Martha) but we got to see her being resourceful and tough, and we got more of a feel for her emotional struggle here than in her entire walked-the-earth-for-a-year arc. She’s got the worst companion luck, doesn’t she? I wish she didn’t think her experience applied to everyone, though; her “you’ll learn” attitude toward Donna was patronizing and annoying. (And could the “twirling her engagement ring from her perfect muscular boyfriend who’s saving starving children in Africa” be any more ridiculous?)

I love that Donna said she wanted to stay “forever.” It’s not just some stupid fancy of Rose’s; there is nothing wrong with wanting to spend your life traveling in time and space! I loved that the theme of series two was “the Doctor is worth the monsters,” and I’m worried that this season it’s more like “spend more than five minutes with the Doctor and you will die horribly or at best have your family tortured for a year.” Sheesh. I miss the “yay adventure” theme, and the happiness, and the idea that living an extraordinary life is worth the sacrifice.

I continue to love Donna. Everyone’s got a strength; hers is apparently Super!Temp skills. And she applies them to save the world. Yay Donna. :) I like that the show doesn’t have one paradigm of what type of person can be a hero; you don’t have to be highly educated or an action hero, you just need to be willing to go for it and apply whatever you are good at to the situation. It hearkens back to Rose using her gymnastics ability to save the day in “Rose.”

I also liked that Donna was able to get the Doctor to open up about his issues with Jenny. She pushes, and even though she’s wrong about what’s bothering him, the fact that she won’t let up is good for him. It forces him to face what he’s feeling and articulate it to her.

(BTW, the one thing I really didn’t like was the Doctor not letting Donna use her “feminine wiles” as a distraction. I don’t know how to read that except as a joke at Donna’s expense, that she’s not as traditionally attractive as Jenny and how silly of her to think otherwise. I’d love to be convinced otherwise; can someone come up with a non-offensive explanation for that scene?)

The writing of this episode was terribly awkward (Martha falling down the lightly sloping hill; the utter predictability of Jenny’s death; the magical resurrection [via the Source?]) but the heart of the episode was emotional, and I think they did a pretty good job there. The Doctor’s loss of Gallifrey is such a driving force at the center of his personality that it deserves lots of exploration; here they looked at it with specific focus on the children he lost. (Plus Tennant’s so good at the angst that they can’t seem to resist writing more.)

They did an amazing job showing the Doctor’s resistance to accepting Jenny, and how that was borne of the great loss he’d experienced. Thank god we have Donna to drag that explanation out of him. And, just, it’s so heartbreaking. That he backs away when he sees that she has two hearts. That he thinks part of him died with the children he lost. And then his growing connection with Jenny, the joy she brings him despite himself. Her death was utterly heartbreaking, because it was an echo of every loss we’ve already seen him experience: Gallifrey, Rose, the Master, Astrid, a gazillion single episode characters. What is this season trying to tell us? That the Doctor desperately needs connection, but that he’s like kryptonite to anyone who gets too close? Ow.

I like that they’re exploring how weary he is, how he’s been hurt so much that he just withdraws. It’s a realistic emotional reaction. Series one was about him coming out of his shell after the war and connecting with Rose and her family. In series two he was actually happy for a little while, but knew it couldn’t last. Series three was all about him sinking deeply into a depression caused by the loss of Rose and the unresolved Gallifrey angst that it brought up. In series three we saw him react by lashing out (dark!Doctor), but he was still trying to connect, just failing because of his issues. (He reached out to Donna, Martha, and Joan, but couldn’t give any of them what they needed.) In series four, he’s not lashing out, but is that an improvement or is that him just giving up? He seems to have withdrawn into himself so far that he’s not even trying to connect; he tells Mr. Copper that he travels alone, and he needs someone as pushy as Donna to force him to take on a companion at all. He freezes at being unable to save the Adipose victims, and freezes again when faced with the destruction of Pompeii. Unlike Donna, he doesn’t freak out in reaction to the pain of the Ood song, because he’s used to it. He’s resigned to being alone and having his heart broken. I am so, so happy that he has Donna to draw him out of his shell, to reignite his desire to travel, and to share the burden of the trauma he experiences. (And given what’s happened to everyone else he’s connected with, I’m really worried about Donna!)

I liked Jenny a lot. Georgia Moffett was entertaining and charismatic; I’m not ready to declare her the greatest actress in history, but I enjoyed her performance. She did a nice job of emulating Tennant’s mannerisms and ways of speaking. I liked that the character shared many of the Doctor’s qualities, but in less developed forms. If they bring her back, they’ve got a lot to explore. And I’m glad that she shares his enjoyment of new experiences and adventures.

That said, I think the angst in this episode was too much. I think where they went wrong is that a child is just too big of an issue. The emotional fallout has to be bigger than what they’re willing to deal with in one mid-season episode. And a character this important should have a multi-episode arc, in order to earn that huge emotion at the end. I suspect they felt they had to do it this way because they wanted to introduce her now and bring her back later (I’m unspoiled, but after that ending, surely they’re thinking recurring character, if not new companion or spin-off).

But that makes the Doctor’s huge angst here basically a result of sloppy writing. I’m going to have a hard time buying him going on to the next couple of episodes and being (I assume) his usual bright and chatty self. Even if he’s clearly repressing underneath, well, he’s always repressing underneath; something this huge needs a bit more. It was good that the losses of Rose and the Master both had season endings so that the Doctor could spend an unspecified amount of time dealing.

The net effect is that the Doctor keeps getting hurt again and again, to the point where he’s just weary and withdrawn and used to it. And right now it feels like too much of the same. The one good thing that’s happened for the Doctor personally this season is that Donna has pushed her way past his defenses and, despite himself, he’s let her in. But it doesn’t change the massive loss he keeps experiencing, which is down to the writers just never giving him a break.

It kind of reminds me of later seasons of Buffy the Vampire Slayer, when I’d just throw my hands up and wonder what awful thing they were going to throw at the lead character next. It got kind of boring when there was nothing but relentless awfulness, and I didn’t like the idea that living an exciting life and saving the world on a regular basis will result in unrelenting gloom that will leave you longing for normalcy. It makes series two of Doctor Who seem like an anomaly in retrospect (it’s a TV anomaly in general, which is part of why I love it) because the main characters are actually happy for most of the season. They do fun things and enjoy themselves! They smile at each other and I genuinely feel the joy, and when bad things happen I feel better because I know they have each other.

Whereas in series three and series four, it’s been a lot of “what will they do to the Tenth Doctor next?” It’s starting to hurt a bit too much, although I do like the theme they’re exploring, the weariness, the hesitation to even try to connect. I think this episode was a misstep because it’s too much. But also, this is one piece in a larger puzzle, and I feel like we’ll get more out of it in the context of the season as a whole. So I’m mostly withholding judgment until I see how all this plays out in the end.

Current Mood: okay emoticon okay

Tags: doctor who
  1. 44 Responses to “Doctor Who 4×06”

  2. versaphile on May 12, 2008 12:21 am | Link

    This episode is sitting on my head in the way that generally demands a fic be written for it. Not a long one, but something along the lines of my post-VOTD fic.

    I think you’ve hit on something that helps me with this episode, which is that Ten isn’t getting better. The way Donna forces him out of his shell makes it *seem* like he is, but this ep illustrated quite starkly what a bad place he’s really in. That after the Titanic, he’s more emotionally withdrawn than ever, he’s freezing up when faced with potential mass deaths, he’s yelling at everyone to stop using violence because he simply can’t bear any more violence from anyone. He just can’t take anymore, and the pain of that is overwhelming. It’s amazing he hasn’t curled up into a corner of the TARDIS and started beating his head against the wall.

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    a_white_rain on May 12, 2008 12:29 am | Link

    Yes. Exactly. In some ways, I miss his angst from last season. This time he’s so sad and defeated and doesn’t seem to have the drive at all to get better.

    I’m hoping so much that Jack, Sarah Jane and Rose will help him. Because that’s what they’ve all done in New Who so much. Donna is great, but she lacks the baggage they all have.

    And Martha is… Martha.

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    versaphile on May 12, 2008 12:34 am | Link

    Yeah, no offense to Martha, but she’s not really helpful when it comes to the Doctor’s angst. Too much in the way. And I think she still puts him on too much of a pedestal to simply relate to him.

    This time he’s so sad and defeated and doesn’t seem to have the drive at all to get better.

    Yes. All his appearance of drive is actually Donna in action. And given how much trauma he’s had in S4, he might even be getting worse.

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    a_white_rain on May 12, 2008 12:39 am | Link

    Martha helped give him self-awareness and restored his faith in human faith… but while the two of them care deeply for one another, I don’t think they CLICK very well.

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    versaphile on May 12, 2008 12:44 am | Link

    Agreed. In a way, the fact that they both inspire the other is what prevents them from connecting. Because the Doctor sees Martha in terms of human faith, and Martha sees the Doctor in terms of fire/ice/storm and unrequited love.

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    a_white_rain on May 12, 2008 12:45 am | Link

    Yeah, exactly. Which is the last thing the Doctor needs. So Martha helps him and damages him at the same time.

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    rusty-halo on May 12, 2008 12:46 am | Link

    Well, I’d certainly forgive you for taking a break from Praxis to write a post-ep fic. I’d love to read what you’d have to say. Um, just don’t forget about Praxis entirely. :P

    I don’t know what they’re trying to tell us with this season. I thought maybe the Master’s death would be cathartic and help the Doctor deal with the loss of Gallifrey, but it seems to have made things worse. And then it was immediately followed by the Titanic. The Doctor just keeps losing people.

    I think this must be leading up to something big. We’re seeing that the Doctor can’t handle everything on his own (“I can do anything!” doesn’t work out so well, and he needs his companions to save him and share burdens with him). Maybe the point of Martha’s story is that even a companion is not enough, that the burden is too big and it’s not fair for the Doctor to share it with one human? I don’t know.

    I don’t really want them to bring back the Time Lords; I like the last of the Time Lords idea, the Doctor having to go it alone, making his way in the universe with much of the previous structure gone. But after the Master and Jenny, and all the Time War references this season, it looks like they’re going in that direction.

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    versaphile on May 12, 2008 12:52 am | Link

    You know that “she is coming back” from TFOP? I totally thought that referenced Gallifrey and not Rose.

    I’m also reserving judgment on the season’s message for the same reasons. I do have faith that they’re building up to something big, but I honestly don’t know what that is. But I do feel like the Doctor has run out of his reserves of inner strength, and if it wasn’t for Donna he would have run down like an unwound clock.

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    rusty-halo on May 12, 2008 12:56 am | Link

    Oooh, interesting. Nice misdirection, if it’s Gallifrey and not Rose.

    Yeah, I didn’t think his angst could get much worse after series three. And at first it did seem better this season, but it’s more like he’s gone numb instead of going dark. Which is almost worse, even more cut off from his emotions.

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    versaphile on May 12, 2008 12:57 am | Link

    Yes! Numb. That’s the best way to describe it. And then Donna pushes and pushes until he starts to feel, and then something like this ep happens and god. I can’t imagine any reaction other than wanting to stop feeling even more.

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    a_white_rain on May 12, 2008 1:01 am | Link

    Which makes sense and is good and David has pretty eyes and make it even more fun. I just… want a break or a something. You know so I won’t cry each episode for as long as I watch Doctor Who.

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    versaphile on May 12, 2008 1:02 am | Link

    I have the image of the Doctor sitting there next to Jenny’s body, knowing that around him life is being born and yet nothing reaches him. he’s numb with pain, with weariness. And Donna and Martha are there, and they’re trying to help him, but it all just slides off.

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    a_white_rain on May 12, 2008 1:04 am | Link

    I think he really just wants a hand to hold, but fears he’ll lose that hand so he can’t even reach out anymore to get it.

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    versaphile on May 12, 2008 1:06 am | Link

    And let’s face it, that’s not without reason. Which is why this ep was so painful in context.

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    a_white_rain on May 12, 2008 1:08 am | Link

    Yeah. Season two was great because the message was life/love was worth the risk. But after losing Rose, the Master, Jack, Martha, Astrid… I can see why he’d doubt it.

    Which is why I want the season finale to be hopeful and happy and RTD to be lying.

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    rusty-halo on May 12, 2008 1:07 am | Link

    One of the things I really love about the Doctor, though, is that every time he ends up in a situation that would leave me completely nonfunctional, he somehow drags himself forward and keeps going. Everyone hates that walking-through-fire moment in VotD, but I love it because Astrid’s death is the part where I would’ve been “fuck this, I give up,” but he gets up and even though you can see utter devastation on his face, he keeps going and he saves everyone.

    He does it after Rose, and the Master, and Jenny. It kind of makes him more alien in a way, because how can a person experience that and then be his bubbly hyper self again ten minutes later?

    But I have been thinking that maybe all this heartbreak is going to catch up to him eventually, and that at one point he won’t be able to get up and keep going. Which maybe we saw a bit of when he freezes in PiC and TFoP. And Donna gets him through it, but he’s losing the ability to get through it on his own.

    I don’t know what to think of it all. I guess I’m glad that it’s having consequences, that all the pain is catching up with him. It’s more emotionally realistic, but it hurts.

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    versaphile on May 12, 2008 1:09 am | Link

    he’s losing the ability to get through it on his own.

    Exactly. And that… *flails a bit* I just feel for him so much. I want him to have some kind of solace, some relief, if only so it didn’t hurt so much to watch him.

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    rusty-halo on May 12, 2008 1:16 am | Link

    I’m trying to keep my emotional distance. On one level I’m an angst fiend and I’m loving the darkness and the big sad Tennant eyes. But there’s another part of me that’s just… hurting along with the Doctor and having to remind myself that it’s just a TV show. Because OMG I hurt when he hurts! :(

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    versaphile on May 12, 2008 1:10 am | Link

    Oh, and I love that bit in VOTD too. I love a lot of stuff people snarked about, including the bit with him flying up through the ship with the Host.

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    rusty-halo on May 12, 2008 1:14 am | Link

    Yes! That’s actually my favorite part of the episode. When he snaps his fingers and they carry him up. I adore it utterly and completely beyond words, even though on some intellectual level I recognize the validity of the complaints about its cheesiness. Whatever; it works on a symbolic level, and Tennant is amazing, and it just ends up being beautiful.

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  3. a_white_rain on May 12, 2008 12:25 am | Link

    (BTW, the one thing I really didn’t like was the Doctor not letting Donna use her “feminine wiles” as a distraction. I don’t know how to read that except as a joke at Donna’s expense, that she’s not as traditionally attractive as Jenny and how silly of her to think otherwise. I’d love to be convinced otherwise; can someone come up with a non-offensive explanation for that scene?)
    The Doctor has this weird thing about his companions being sexual. Or sometimes he does. With Jack, for instance. It’s one thing I can never pin down on his character and it confuses me so much.

    As for re: the thing with ‘what will they do next’. YES. For the most part, it feels organic and honest if a bit overboard in this episode. But I just don’t have a sense of where it’s all going. None of the last seasons have had the impact TPOTW – I liked it because it’s realistic development in some ways. but can he please have that perfect day again?

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    rusty-halo on May 12, 2008 12:34 am | Link

    Hmm. Maybe. But with Jack he seems to think it’s gratuitous, whereas here Donna being sexual in this case *did* serve a purpose. I suppose you could view it through a shipper lens, that he’s attracted to her and trying to repress it, so he doesn’t want her throwing around her “wiles” in his presence? I don’t really buy that, though.

    Yeah, I feel like in the past we got a lot of good moments to balance out the angst. I don’t know what they’re trying to tell us here… life keeps beating you down until you break? That it’s impossible to ever recover after fighting in such a horrible war and losing your people? I (unspoiled) am wondering if they’re leading up to a retcon of the Time War.

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    versaphile on May 12, 2008 12:38 am | Link

    In a way I’m starting to think that the return of the Time Lords may be the only way to relieve Ten of his “weight of the universe” burden angst.

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    a_white_rain on May 12, 2008 12:48 am | Link

    It’s also feel cheap fix it! I don’t know, it could be great to see how he’d relate to them after seeing what it’s like without them. But still the feeling of cheap fix it would bother me.

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    a_white_rain on May 12, 2008 12:38 am | Link

    I think maybe he doesn’t like people using sexuality freely? He thinks it something personal between people? IDK. Interesting idea to explore in fic.

    I think it might all make sense when the series is over, but right now… I have no clue. Just hope there is no retcon of the Time War, because it would be teh suck.

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    rusty-halo on May 12, 2008 12:51 am | Link

    Yeah, I definitely don’t want a Time War retcon. But there’s precedent (the LottTL retcon) and there have a been a lot of hints that the Time War story isn’t finished yet.

    I just don’t know how else they’re going to resolve this season’s arc for the Doctor without him having a nervous breakdown. Um, obviously I’m hoping they’ll do something amazingly brilliant that I haven’t even thought of yet.

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    a_white_rain on May 12, 2008 12:53 am | Link

    I’m okay with more Time War development (though I’d rather just get more history. I’m very attached to the Jack/Rose/Doctor development surrounding the end of the time war, but I admit my bias), I just. Would feel like a fix it. And that all the exploration is pointless if it can be fixed.

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    rusty-halo on May 12, 2008 12:57 am | Link

    I say retcon as a shorthand, but I expect it won’t be a straight retcon. There’ll have to be all kinds of issues and consequences.

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    a_white_rain on May 12, 2008 1:00 am | Link

    There probably would be – and it could be good. I just don’t know if it would appeal to me much personally. And I’d rather him find a balance with his power and position over it being fixed with new complications.

    But I’ll admit it’s all subjective.

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  4. trepkos on May 12, 2008 3:02 am | Link

    I like that you see even more clearly here that’s it’s a reaction to his experience in the Time War.

    That’s not really true – the Doctor has always been against violence and in favour of solving problems by using his brain.

    One of the things from old DW that they haven’t forgotten – unlike the fact that the TARDIS is way too heavy for anyone to move!!!

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    rusty-halo on May 12, 2008 3:04 am | Link

    Yes, but his recent really visceral emotional reactions are pretty clearly Time War driven. He’s not just being a dick to UNIT because he can; there’s all kinds of self-loathing and issues beneath it.

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  5. trepkos on May 12, 2008 3:26 am | Link

    I wonder if we’re ever going to see anything of the Time War.

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    rusty-halo on May 12, 2008 12:07 pm | Link

    I think they must be planning to do more with it, since they keep bringing it up.

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  6. miss murchison on May 12, 2008 12:03 pm | Link

    It kind of reminds me of later seasons of Buffy the Vampire Slayer, when I’d just throw my hands up and wonder what awful thing they were going to throw at the lead character next. It got kind of boring when there was nothing but relentless awfulness, and I didn’t like the idea that living an exciting life and saving the world on a regular basis will result in unrelenting gloom that will leave you longing for normalcy.

    Word. I remember someone telling me that Joss’ mother had died from a brain tumor. I had a little epiphany of my own. My mom had a brain tumor about 25 years ago and needed an operation that took nearly 12 hours; it was terrifying. However, she is now living in Florida and teaching line dancing several days a week. She’s 89. I’ve lost people much too young and seen plenty of suffering, but maybe because I’ve seen one something-like-a-miracle, I have a different view of what’s possible and what can evoke strong emotion.

    Sometimes good news can make a great story too. “Everyone lives, Rose!”

    I think there’s hope DW will relieve the angst soon.

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    rusty-halo on May 12, 2008 12:10 pm | Link

    Hmm. Yeah. It’s not that I don’t love angst, because I do, but it needs happiness to balance it out. That’s why “Doomsday” was so effective, because we’d seen how happy they were, and felt the full effect of what they were losing. When you’re just hammered with relentless badness, you kind of get used to it and it starts to lose its effect.

    That’s why really pounding heavy metal music bores me, while music that varies between loud and quiet is far more effective. You need the contrast to get the full effect.

    I’m just really curious how they’re going to resolve it, because the theme this season so far seems like “the Doctor loses anyone he gets close to.” How’s he going to recover from all this? :(

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  7. anduril on May 12, 2008 12:41 pm | Link

    One thing about this episode that made me really, really, uncomfortable, is when they violate the Doctor. I mean, yes, he got a lot of flake from Donna by not admitting she’s his daughter. But she was created, from his dna (thus, probably the only scene with blood we’ve seen in Tennant era, y/n?) without his express permimssion, I think we can understand why he doesn’t want to admit it in the beginning.

    Goodness, this episode broke my heart. You’re right, it’s a multi-parter story. Not a single-episode story.

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    rusty-halo on May 12, 2008 9:28 pm | Link

    It was really heartbreaking. I didn’t even rewatch it for my review, which I usually do. I think it might be too painful for a casual rewatch, both because the writing is so painfully bad and because the Doctor’s emotions (and Tennant’s incredible acting) are so painfully effective.

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  8. elz on May 12, 2008 12:48 pm | Link

    Yay free will, indeed! I’m going to give them the benefit of the doubt and hope that the ‘feminine wiles’ gag was less about Donna’s looks and more about her personality – she doesn’t really have the lightest touch, after all. Which I love about her. :)

    What is this season trying to tell us? That the Doctor desperately needs connection, but that he’s like kryptonite to anyone who gets too close? Ow.

    There seems to be a big theme of rebirth and hope and things rising out of the ashes this season, but it’s taking a while for any of that hope to actually come the Doctor’s way. I’d like to think it will, eventually – all angst, all the time does get old. (And Donna saying “forever” makes me very nervous.)

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    rusty-halo on May 12, 2008 9:36 pm | Link

    Yeah, I’ll buy that it’s more about her personality. She’s got something of a blind spot in regards to how pushy and demanding she can be. (*feels somewhat better*)

    Ooh, you’re right about the theme of rebirth and hope. The Adipose, the saved family in Pompeii, the freed Ood, the resurrected daughter… interesting. (*wonders if the Time Lords are next*)

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  9. mikelesq on May 12, 2008 9:07 pm | Link

    BTW, the one thing I really didn’t like was the Doctor not letting Donna use her “feminine wiles” as a distraction. I don’t know how to read that except as a joke at Donna’s expense, that she’s not as traditionally attractive as Jenny and how silly of her to think otherwise. I’d love to be convinced otherwise; can someone come up with a non-offensive explanation for that scene?

    I don’t think that it’s a comment on Donna’s physical appearance. After all, this is the same bunch that had everyone on Torchwood acting like Gwen was Mata Hari reincarnated and Tosh was plain. They clearly understand that sexuality is largely a matter of ‘tude. Or they’re idiots. Well, wait a minute….

    Back on topic, the last time we saw Donna’s “feminine wiles” was with Lance in “The Runaway Bride.” Basically, she nagged and/or she cried, and she got her way. Does she know something about how to push a man’s buttons? Yes. Likely to turn a man to putty in 45 seconds so she can steal his sidearm? The results would probably have been…less than ideal.

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    rusty-halo on May 12, 2008 9:24 pm | Link

    Wait, are you actually suggesting that the writers of Torchwood are not idiots? :P

    Since Lance was only putting up with Donna as part of a plan to feed her to giant spider babies, um, I think that example works against your point. Apparently the Racnoss queen had more successful “feminine wiles” than Donna.

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    mikelesq on May 12, 2008 9:28 pm | Link

    True, but whatever Lance’s reasons for putting up with her were, they show what Donna’s idea of “pursuasion” look like.

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    rusty-halo on May 12, 2008 9:32 pm | Link

    Hmm, okay, that kind of works. Donna’s awesome, but she does lack self-awareness regarding how her “pushiness” is perceived by others. I’ll buy that. And the Doctor did do a lot of eyebrow-raising at her interactions with Lance, so he’s aware of her blind spot too. And he just wanted to keep her out of trouble in this situation. It’s still a bit patronizing and stereotypical, but at least it’s not a comment on her age or her looks.

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